Aspects of Infinity

I

I remember how it all began, as clearly as if it were yesterday. It was a fine morning, crisp and cold, but full of sun. I woke up to the sound of angels playing music in my ears. I can’t be sure of their instruments, although they made the most beautiful sounds I had ever heard. I couldn’t see, my bedroom was filled with a blinding white light, the only sense I had was one of sound. I lay motionless in my bed, the waves of crystal light and symphony pervading my every pore. I was a blank canvas as the sounds began to shape the very fabric of my being. Through the lucid choir of nothingness came a word and with it followed another:

‘Rise’, it whispered, as if a breeze.

‘Rise up and face the day for your life has ceased. Your new life is just beginning .  .  .’

I awoke again, yet unsure of if I had ever been asleep.

It is cold tonight. The streets are quiet for once, that ‘feeling’ is not there, for the moment. Everything is so still and pristine. My breath fogs in front of me, a backdrop of black night. Cold O cold, yes warmth – that is what I need. Three coats over rough layers of cloth. I feel like a freakish character in a Brueghel painting.

Another memory stabs my eyes – a feeling comes running at me, then disappears with my steaming breath into the night. Ice has covered everything; shards and sheets of crystal light illuminate the dark.

The cracks are more visible tonight; under stark streetlight, gaping splits filled with phosphorescent light that weep and spew forth into the black shadows.

There is nowhere to hide.

If there is nowhere to go where it is warm, then there is always the cemetery. Earth always offers sanctuary, so softer and more welcoming than the hard bed of concrete. A manhole cover beckons from behind a tomb; we scurry like diseased rats in burrowed warrens beneath the poisoned city, deep within its gut, beneath the rivers and the broken factories. The steaming creeks and rivers above, lap the earth from their banks. Pulling the blistered blanket of glass up, as its wake rocks and stirs our consciousness from mournful sleep and ritualistic instinct. We realize that if we were to be dead --- we would be, yet, we are all drowned  .  .  .

White begins to stain the night as we sleep.

II

We stopped for a while; the others went to forage for maps and food. I rested on a huge marble step that stretched its cold form out for a mile. The building. hovering over me above, would’ve welcomed Alexander’s drunken torch. Persia never looked so grand and diseased at the same time as this mortuary – huge space cobbled with grey stone, the other surrounding buildings scrawled like feverish charcoal monoliths, deep shadows frame the cold snow of their architecture.

I sit alone on these steps.

I watch the cold clouds reiterate above the grey skyline. There is no blank canvas. Everything is a colour. Everything is a word. I cannot help but interpret and participate in this infinite moment. This morning froze me; snapped me from a dream of thirteen faces — none of which were mine. What is neutral in this God-forsaken world?

I have a new found faith in sleep that serves me well for everything. Shuts my eyes as light as a thief’s, yet still lets me live when I wake. This I find quite amusing. and here we now stand, on the edge of the hill above the dirty little town where I was born. Looking across the black abyss to the thrashing, heaving, mass-molecules of space and time, bursting and splashing the city lights.

O where do we go from here?

What will the skies bring us tonight?

We thirteen seekers of the truth, who were once slaves of sin, now stand with countenance and fortitude amongst the teeming hordes of brutish defilers. We think of nothing but the goal that never lets us know its name and in that coveted mystery, we find assurance and spiritual strength. Like Lazarus, we have risen from pools of blood and death to walk amongst the living dead, to have some purpose totally foreign from that of this world. We sight our ships to sea just to have them crushed by quick waves. Others abort the vessel falling fallen while we fall, we set our sights to land and catapult an anchor plated with the fear of missing the mark. We know however, that where it scalps a patch of earth, we may as well dig a place and in it lay our skeletal frames – watching the moon spin off, far away, to an inconceivable distance as steaming black sod frames then blocks the final vision.

In a damp cavern beneath the border, we seek and find temporary sanctuary. Food is shared and words are said; you step from the shadows into the fold of the family. Warm light dances off the sloping dust caked walls. An orange aura fills the chamber and shadows play out their grotesque pantomimes of murder on the walls, but your silhouette is beautiful yet transparent. The reflection of the flame burns brightly in your eyes tonight and I see a hunger there so deep. I feel your skin so warm your touch like silk lips so you who hypnotize like a home welcome me into your arms once again and again and for a brief instant, I am human again. I pledge my undying love to you and everyone as we twirl like dervish dancers begging for alms of love in worlds of pure white neutrality untainted by freedom as we melt sun with the sky to burn bloom buy our place with what and all we’ve got, which is not much.

My hands do not feel your memory.

My eyes see you in everything . . .

In various sorrows, blizzards begin above the ground. Grinding sand and shingle down the dark corridor toward our empty shelter. To blow the bells and ring the chimes of you, burning pyre-like in my flaming chest, I must climb the highest mountain.

I must record the journey and events of the hours and days to come.

I must record your beauty and your twisted ugliness as detailed and as infinitely as I can, with the last drop of blood as my ink. My heart houses the flint you struck; to live is to die tonight and every lost night from now.

I must record your dying history – your progress, your decay, your thwarted attempts to claim new worlds  .  .  .

everything.

Piano Concerto No. 21 in C major - Andante

III

A new day and we brush the ash and dust from our eyes and hair. Our black overcoats increasingly stiffen from the shed skin follicles of her Malthusian moulting, which stick like mortician’s wax with every warm breeze of her dying breath. The sun is purple and fills the tangerine hued sky. Its burning eminence pockets the loose change of oxygen, its twisting smile creases, dazzling.  We lower our welding masks and shuffle dust clouds off through the churning ghost dance of the early morning day.  From half awake to suddenly wide awake, almost – a lucid kind-of light licks our flesh. It is hard not to forget the ancient promise of real rain --- crystal clear water that is sweet and liquid wet.

O to taste the diamond drops of moisture!

What a bastard of a shadow of a dream!

This is the time when a mind eraser could be put to good use.

We all wish that we could die.

Last night I had a nightmare, my memory recorded my thoughts. It started with a noise and then language became apparent. Words crawl like pulsing worms from my mouth. Naked.

All naked we are nude and nice now in the slow fetid time of a clock no longer tick tock tick tock  .  .  . Rain falling, like dead sparrows on the roof. So loud and thudding, the water-drops as big as bombs. If you had a weak thin neck, it would snap with their pummelling weight. Old trees cracking twigs arthritic limbs frozen air freezing flays flesh off bare cheeks. Wind whipping strop’s slap acid sand grates. Breathless. Diseases abound to burrow faster, yet still we stand and breathe the foul air. 

All around – beautiful vampires.

Red lips platinum hair ghost skin yellow tongues lick black teeth.

Everything surrounds and squeezes back – large machines enlarging . . .

Everything is a word, but I can’t shake the fact that words are so meaningless, in the face of such events. I want to wake up.

We have plowed our fields with streets, planted them with ugly tombs of concrete instead of fruit trees. The separation is evident; the direction misunderstood. We the unwilling are urged to remain seated ‘til the show is over.  Is there any one with just cause why this marriage should be over, speak up now or forever hold your peace in check? Throw twenty different objects together and try to stack them up; a triangular structure is the only form withstanding. Who is at the top? How soon before the objects beneath collapse or eject from the equation? Who plows the field does the sowing, yet who is it that reaps and rapes the rewards of our toil?

The separation is evident.

On my way through the smashed suburbs, I saw a clothesline swaying in the cold warm wind, a single tall stick, a rake that strongly held the weight of the world above its rigid head. The pole pushes piles of christened ragged clothes into the wind. It flaps the wet wrinkles of the clothes dry, impregnates their nature to rub against skin. The pole sways privately. Ticking off the time, a pendulous metronome, and supporting it all a blue line and the breeze. The rigid rake has kept its place actively alive by its still and unwavering disposition. By its silence.

It feels like autumn now, but the seasons are all mad and messed up.

Burning bark smells like cinnamon sometimes, right now it smells like burning bark. The tree’s on fire – the last of them, on this dying street clogged with floating embers and curling balloons of smoke. All the ghosts stand in the mist smoke in silent chastity and broken innocence, shivering at the sight of the steel scythe blade of the reaper. Some peel in fright like snakes, others shed leaves like scales and skin – matte-finished minnows fall – sardines litter the ocher smoky floor; quite hot, then cold blue haze blankets everything and we drift off toward our destination.

Towards redemption, or just another aspect of infinity?

IV

A three storied building offers sanctuary from the searing elements for a while, affording us a vantage point from which to spy all other travelers and assassins. Cold hard concrete swells and sweats its broken crumbling walls under the midday sun. We take turns on watch. I meditate in a quiet corner in the dark – waiting for a sign, a map, a pineapple, a hole in the clouds . . . sleep. The others try to sleep; stirring occasionally, humming, reciting lost songs and poetry, drawing crude figures and signs on the scarred walls. After seven hours, I rise refreshed and wary of the indigo night that is now upon us. I climb the outside window fire-escape ladder, hanging out over the litter-strewn footpath below. The simmering night fluctuates in temperature. All is silent save for a warm breeze brushing between my ear and the wall of the building. The yellow moon is huge and seems to be gaining ground with every revolution, its eerie light casting a sickly glow of gold over the jagged geometry of lower downtown Knotterdam. 

From out behind a dead store scurries one of the first mutants we see on our odyssey.  He scuttles along on his gammy leg. He looks like he is trying to leg-over a short fence, dragging his idle leg then kind of flipping it to limp along on.

From out behind shadows and shapes, emerge the blackened faces of children.

Screaming with insane mirth and laughter like small dancing skeletons, the children surround their prey like rodents around a corpse. He occupies their ebbing worlds as a target for stones and short relief from their surroundings. His hunched body burns with words, rocks, and perverted piercing stares. Looking up bent over, his face twisted in shadow, he shudders and flops faster to outrun gregarious gazes and the pelting assault of creatures more mindless than he. It gets too much sometimes, in fact all the time, the throwing about of his cumbersome cage. The frustration of a life not knowing why, but most of all it gets too much, because of them. They hate him, they always have, and they follow him wherever he goes. Crying now and limping as fast as he cannot go, he falls down, curls up, in the black dismissal of the world.

I can hear his pathetic moans from the rooftop.

He is sobbing and calling “Esmeralda? Esmeralda? I hang my head with the weight of shame just as the weight of your natural and cumbersome form hung you. Come back to me my love. Come back, to me .  .  .”

A piece of brick flies from the dark, knocking a splash of blood from his swollen forehead. He lies back and stares at the moon glistening in his weeping eyes, his arm raised, fingers moving in silent appeal. In the pain of difference and of hurt, and of being very much alone, he succumbs to the world around him. The ground flattens and swallows his twisted form, the black asphalt pulsing like a heartbeat – each swell inhaling, gulping. 

A bony arm remains, elbow high above the ground. In the sick light, it looks like a withered fire hydrant. The fingers still writhe and click, their lumpy knuckles turn and crack, the torn shirtsleeve slides down the twitching forearm.

From the dark realms of a narrow alley, the squeak of pedals, chain, spokes and bell resounds. In slow moving motion, a child on a bike floats across the stage of the street. The child’s head is a balloon – a balloon with huge wide staring black pupils for eyes, button nose upturned, all framed in an ivory countenance as polished as a marble basin. His small arm swinging in timeless motion, it seems to swell and elongate like sharpened bone. I watch his small arm swinging as he pedals, the other hand steering his mechanical vessel. In his toy hand, his hand, he holds a thin shiny curved blade – a scythe glistening like a diamond in the shadows, a razor sharp scythe tinkling off the road, small red sparks dancing behind the black tyres of his bike.

The hand and muscle of the exposed arm is lined up by the boy’s front bike tyre. The arm suddenly stands still and tall like a heron on alert, as if aware of its approaching foe, trapped in a quagmire trying to free its tethered form. The boy peddles pedals pedals faster faster, breath puffing in small red clouds of dust from his sneering wee mouth. The white bony arm wriggling above the asphalt, fingers clenching unclenching as if trying to scream. The boy’s strange arm upraised now, blade in hand sharp, arm – a swinging arc down and  .  .  .  SCHLOCKKK .  .  .

The moon silhouettes the spinning arm clutching at arm and then disappearing past the window of the light of the moon. The boy tilts his huge head back, laughs, swallows and then blows perfect dust-red smoke rings at the night’s weird sky. I look down at the scene, all actors disappear now, as the swirling paper and dust in the gutters of the street stop their discontented stirring. The breeze dissipates, comets stop their blazing trails across the sky, and everything is so quite. I lean back on the wall of the balcony of the roof and slowly let my knees give out under my weight – goodnight sick moon.

Good night.

Cello Concerto No. 1 in E Flat Major, Op. 107 – Moderato.

V

We walk past a flickering transmitter, still crackling with stored power. Static burns the brain cells, buzzing constantly like electric fur brushed up the wrong way. The strange sensation of a foreign body invading every pore and cell. Its life force scratches neon graffiti on never-ending night while all around satellites spin above . . .

A message – another mountain to conquer.

How many days left?

Looking all the time for something that has always seen us, which we will never see, through this burgeoning haze of red dead solidity. O but now I’m letting my emotion override my sensibilities in my search for truth! But what is truth?

Of the heart?

The mind?

The soul?

and what are these names for these things, if such things even exist anyway . . .?

My heart is low, my mind weary, my spirit has wandered on ahead to scout safe passage for our advance, but it is not searching for mystery or treasure. Yet, I pray that it might find some, just something small. A glimmer of shining illusion that we may believe in, to get us through another day and night . . .

A common theme along our journey, that I find quite disturbing, is the pervading impressions of silence that pepper the day and night. It is a dripping tap – even the most subtle of words repeated enough, eventually drives to the point of distraction and attentions the prey. As a tiny twig, broken from a tree, that falls upon water makes ripples that echo its form. However, when such water is not calm, still a bigger branch with more substance is needed to create visible and audible impression. In these moments of absolute peace and lucidity, the shadow of death breathes its name in an epiphany of silence.

  This morning, everything moves in slow motion. I awoke to see women beating slow tracks in beauty with leaves swirling at their heels touching sweet white feet. A moist caress glides in their perfumed surrealism. The summer sings optical promises; maybe everything will be all right?

Another vision of Mary – standing on the edge of the Black Forest on the fringe of the camp. An army of ghostly figures behind her, writhing in the mist and the damp leaves, waving slowly, translucently.

Her last good-byes seem forever cast in cold calculus, a flickering hologram.

Fantasien, Op. 116 – No. 7 Capriccio. Allegro agitato

VI

We found an old run-down cabin, just before dusk gave in to night, deep in the foothills of the mountain ranges. Windows doors grey walls torn. A fox skitters ‘round the room, sniffing trash, oblivious to our presence. Eye to eye rats in rafters, on mantle, windowsills, within walls – scratching, scratching, scratching through holes; standing still for slash of time, then off again. Seen sniffed snorted disappeared forgotten, room now empty save for moonlight.

The fireplace flickers, then explodes.

The whole broken brown-grey interior illumined, in all its decayed woody brilliance. The flame licked the cobwebs in the grate, blossoms crushing cellophane, sounds that burn sun-burst bright, engulfing envelopes stuffed with wads of cash and unforgettable memories, crackles to ash.

Then back-to-back black.

The visions are becoming stronger while our quest becomes more inconsequential. Nature is casting its archaic spell over our experience of things. We have all experienced a heightening of the senses; the smells of the deep woods and tumbling streams, the clarity of sight and hearing - a leaf so finely cut, a dry twig cracking under the hoof of one of the green deer sniffing the air ten miles downwind in the heart of the forest. 

I remember a story that once captured my imagination – a poet at the end of his tether, frustrated with society and (ultimately) himself, walks into the foothills of a vast mountain range in the Americas with a loaded firearm.

No one ever sees him again, no body is ever found.

All he leaves behind are memories and a huge body of verse for the world to do with what it will.  The forest has swallowed him; nature has enveloped his very being, distributed his atoms throughout the flora and fauna like so much mulch, and that’s all we are . . .

VII

The new day vivisects the dawn, another telegram from hell. Pressures of belief make for sacrifice of sleep --- relief, so hard to shake the madness of life from one’s head, without losing dreams . . . grown nurtured there, like lice they hunger, live upon ghosts, teasing and teeming rife with maddening proposals. Wet dam breaks, floods the soul, quenching fires of the fragile heart; blood ferries vessels of shrouded prayer, laps sides of narrow passage, ridges perched precarious --- shelter in the shadows, breeds clinging moss of time --- the dawn buries the dreams in thought, in matter, under the new day.

O thank god for the new day, today!

These small mercies are no mean feat, yet there is still a huge nagging doubt in my nature as to the effectiveness of petitioning the lord with prayer.

Another painful message came today; the great communicator speaks with no words so familiar. I placed the impulse with words so much softer than your cutting spiel of want. I would not hesitate to use you as such, mere words of my own writing, but you would let all of my blood become dust, leaving me dry with tears of loss like water.

A small stream seems to follow us just to remind me – where there was just flat baked dust and soil, a fissure appears and splits, widening as it fills with crystal water, tripping past my shambling leaded feet. It is quite all right to drink; in fact we are on agreement that it is perhaps the best water that we have ever tasted. The sky parts its grey beard for a minute, yawning in bright disinterest and makes the dull colours glow, as they should, for the same amount of time. Flitting birds play and sing all that’s natural, the stream babbles wetly, tumbling quietly past us, leading us on into the unknown while the sun shines warmly --- paints everything still, so still and quiet for a minute.

I turn back in the grey, toward the valley below, to check the burning fires glowing as far as the horizon. Suddenly, a waddling duck jets its slick form out from the front of the burrowing stream; I grab its wet neck and wring the painful life from it.

We all have to remind ourselves every now and then that we are only human.

That we are still alive.

The river frogs choke the highway, croaking to the night.

and the rain it hammers down across the barren blue hue, in its shimmering sweeping black dress. Smoke-like clouds draped above the great flood of blood. Dawn cloud ingrained in this almighty time with blindness. It rained forever in the sweet south and sweet north and sweet east and bittersweet west. Sweat pearls run down my face. An almighty fine wine of the weeping sky falls down on old slumbering earth, snoring with the promise of the BIG sleep in Messianic night. Till that almighty river’s shining dawn and passage down stream turned big muddy, where the desert had been --- and Noah might’ve rowed on out from the banks of old earth  .  .  .

If it hadn’t been another dream.

Near the camp, ripples on the surface of a nearby dam signaled the coming tide upstream as Salmon swam down-stream, furtively kissing the small insects from the mirrored surface of the sky. 

We have to close our minds – we have learned the laws of the forest – and we have to disintegrate our bodies in order to become part of the force of the storm. Resistance is futile and dangerous. The sun glows pale red through the silhouettes of the trees, as we trace its fall, cold sinks its blade a little deeper in the bone, shadows merge.

We build a small fire on the embers of yesterday’s.

The pine-needles pop and smoke, the twigs ignite and consume themselves, as the flame’s glow casts masks and dancing shadows across our pensive faces. We sip Rosemary tea from warm receptacles; steam curling from our breath, the forest is deathly quiet again save for a stirring breeze swaying the treetops. The chill air defies the approaching storm, the silver clouds above now iridescent in the blue moonlight; they accelerate across the grey plains of the night sky. As their speed becomes lost in the filling of the sky, the trees creak and drop branches and pine-cones from their thrashing limbs. Our fire is scattered, tumbling sparks flicker through the tumultuous bracken and undergrowth, as the wind’s momentous fury systematically attacks our camp.

    Allegro con moto

VIII

I know now the third trouble has earnestly begun its unstoppable stoppage.  From the wrong mountain that I had wasted three days and nights upon, answering question after question of my silent companions. To be skin-blackened in the blazing light until refuge in a crag brought my skull bloody pecks from all manner of winged creatures. I decided to descend, as I was told that this was not the very tall terrain that I should be on.

Coming down the mountain, I met a virgin who had children; her entourage were all weeping for their lives. I met a blind man who had vision, but no other sense at all. I met a poor man who had given all his wealth away and had nothing else to give anyone – no words, no hate, no nothing at all. The travel down was so much harder than the voyage up the mountain, despite the heavy load upon my weary shoulders. My twelve companions, light as they were; all grasping, clinging, like a thick ball of twitching twine coiled up across my creaking spine.

Coming down the mountain, I met a muse that could not play, sing, or impart gifts of inspiration. I met a clown that never laughed, but who had always been laughed at. I met a married man who had lost his ring deliberately amongst the stony slopes. Now on another mountain, we had ascended, amongst the ranges of the world. Up high on mountain peak, three days and three nights did curse me with its silence, yet the voices they were loud. A cold cave in crags of granite precipice did afford we with sublime providence and writing space in the dark. All about me ravens black and buzzards grey, haunted me with beady hungry stares, while forcing me into friendship with threats of violence and despair. I do not know, nor will I ever, the nature of those creatures that caricaturize the deformity of men.

Coming down the mountain, I was blinded by the brilliance; everything was crystal clear and held a lucid gold resilience. To my dismay, my vision could not offer me sanctuary of allegiance. Thrown from one apparition to spirit deed entrusted --- the golden glow endowed within, soon poisoned all, and ruptured shaking ground. Serenity of peace and mind madness breached the shrunk horizon.

I made retreat in haste and fear of all that I had witnessed.

A martyr's life, of seer and shaman, harnessed by the reins of Sodom.

To lead like the blind scout in disarray. To plot the paths through minefields olden laid, without map or guide to show the way for who has gone before, has gone without, to bleed for wounded souls their pain. To dance scarred by the acid rain's great rocks. To house the children evil shamed. To see the blind-man’s tortured fate, in beggar’s rags dressed with itching pestilence. To walk the paths with famine as my food, with death as my guide . . . I wove my bleeding heaving wretchedness, once again up the incline.

Were we ever going to find the answers for the great one – we were beginning to seriously doubt the validity of his requests?

IX

In my sleep, I had another dream.

Beneath the old sash window, someone had placed a mirror; it reached from the floor to the frame. Standing naked, head-less – it did not look like me, but then I’d only ever seen myself in reflection, so I presumed that it was. Outside, dry ocher fields – flat as sea – stretch away through and beyond defiant nets of fences. A black bull – horns, big polished lump of charcoal stares at me, snorting breath paints the window. He thinks that I have fresh blades of grass for his consumption, he is wrong. Its huge head adheres to my form, the cadence clear:

I rise to fall – the morning sun stains bronze, the birds song sounds of pipe and tambourine, minus my hands that now burn with the sun in this labyrinth of dawn. Seven figures shimmering with energy, atoms spinning in a spinning mass of form, one stood apart – more material and menacing than the others who had a certain kind of innocence in their immateriality.

Given eyes to see a world, we did and so we died. Hunger in the new night’s yawn we ate ferociously, like wolf cubs at mother’s milk, gorged pregnant with concrete fear.

It was all we could do to stay awake.

Now we are the infected.

Slippery tongues of crass old lands injected in our virgin veins, we have not even begun to begin to see the mud we stand in, to smell it as it is, to disregard its funerary qualities. Buried we have not begun to contemplate this place we are in, this rock we stand on. We see the ocean as a moat, as an eternity, between the setting sun and us. We do not feel the touch of waves all we see is all we are. The transcendence of time, irrelevant in its ticking hue, buoyant on its mocking grin -- grasped by none, aspired by some. It chatters – a bone wind-chime, cracking and tolling each short but endless passing of day. Impeccable revenge: in evanescence two pits dwell -- infinite charcoal voyeurs, watching, always waiting for you. For me .  .  .

Rain falls – ashen snow of sorts, trying hard to clean it only dissolves and steams. Evaporation leaves a hollow where there once was life. Time keeps ticking off itself, so do we too bring intonation to ourselves.

As we have done, so shall be done to no one, but unto ourselves .  .  .

What is this place on which I stand?

What is this place in which I dwell?

Is this thought naught but a smell, of what has always been that is not seen? Consummation has stamped its seal on everything, long dead and buried – who wields the stamp with such intent?

Who creased the seal on our bent backs? 

Who gave us these dead eyes?

Adagio – Concerto No. 2 in G minor, Op. 10

X

Inside the enclosure, they gave us a street to play with. Everything was ok until we began to think we could not see them.

They were there though. 

We worked hard while some fell down; they were not picked up.

We became one, so they said.

Our liberty monopolized, streamlined, they said.

Then came the virus. No fence could keep it out. They contained it well, the chosen few were made to survive, you see, they needed someone to repair the machines that built the machines that mined the metals that made the machines that control our existence. Herein lay the redemption inside the enclosure. Suicide – the only sin-filled option.

The wicked city sleeps for a second as the sun comes up sleuths with blind obedience and subtle reward the day blinks and is gone – swallowed by itself we float like zombies bittersweet voodoo magnet – implants its claws in our broken backs toward the neon grin great endless inanity of night pulls to begin in earnest the spade breaks the earth’s skin our quest for delight knows no bounds for fools streetlight sings and slaps the cruising cars like bleeding sunshine shards through weeping tree-lined avenues the cumbersome concrete breaks another face upon goose-steps – goose-steps, across and over while the black mirrored glass of her evening bodice entices the swirling mutants who stumble and ripple with vanity and the tease of undress winding – winding in and out through cavities like a cancer as the darkness covets the flight of our souls and soon, as ghosts, we echo and return with another tattoo from the city’s sin emporium.

 

Journey we go, into a place where lost buildings of time stack against each other in a delicate city of memories. Walking these barren streets, searching for hidden clues, we get lost in the quest of looking for answers to the future, in the gloomy and poisonous back streets of the past. Black galloping pillows of cloud; hasten like advancing sentries of night against the grey sky, proclaiming: the ferocious almighty thunderheads, glory, blossom, and stab the tender side of the West. The East’s long sabre draws out and twists, spilling gushing blankets of deep, deep maroon over mortal Earth.

Casting great floods to the West.

Decaying plagues shall ravage the North; moreover, famine bleeds dry the South’s cold haven as the East, connotes slow suicide in its prophetic insane seclusion. Green stems from the grey and all the glass age redeems itself back to the crimson beaches, whence it came.

Always hunting, without knowing, for the three properties of motion: the beginning, the middle, and the end.

Life, death, fire, water, earth and ocean.

Bringing in the space of the old: the new.

The idea, the propulsion, the result is seen in all things.

Cause, effect, and result of the action, is a troublesome discourse, when the end is ultimately commotion, destruction .  .  .

XI

What is acquired at birth falls back to more pure and honest beginnings.

This burgeoning and ever-present death is not really our creation, but more like God’s .  .  . or something else. Nature does not concern itself with our presence, or the way we practice genocide, murder, rape, cannibalism, and sacrilege. For a while, we lived inside an enclosure in which they gave us a street to play with.

We saw everything, as did the third eye.

There was an uneasy calm about the place. No one spoke. Outside the walls, disease marched across the west desert scratching its long black fingernails along the high tin fence. The fossils that controlled the place stood around nervously; clad in leather jump-suits, their white faces glowing like light-bulbs in blackened sockets, obese ink-pot bodies swelling and twitching at the sounds of the scratching screams, the bloody baseball bats twirling anxiously in their podgy dough claws. Everything was ok until we began to think we could not see them.

They were always there – our imprisoners.

We worked hard as did the other broken bodies. Some fell down, they were not picked up, we saw it all and still the statues rise to meet the falling sky. We became one at that stage so they said; that point between death and beyond or something like that? Our liberty monopolized, ‘streamlined,’ so they said. Then came the virus, no fence could keep it out but the ones that stood tall around the cities contained it well.

Soon the chosen few were made to survive.

They needed someone to repair the machines that built the machines that mined the metals that made the machines that control our existence.  .  . and that was then, this is now. It all collapsed beneath the onslaught of the natural night. We tried to forget that place, but for some inexplicable reason it was photographically tattooed on our internal vision. 

We could not shake it. 

Herein lay the redemption inside the enclosure – acceptance, honesty, awareness, and encompassment.

  Aspects of infinity.

Symphony No. 5 in C sharp minor – Rondo-Finale. Allegro

 

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